July 12th, 2008

Publication of Fourth Issue and Call for Submissions

We are proud to announce the publication of our fourth issue, which marks the close of our first year. In it, you will find writers from all backgrounds and experiences - an integral part of our mission statement.

Throughout the year we have continued to receive submissions from all over the country and the world. This particular issue boasts fiction from Mumbai, non fiction from a Cuban background, and poems ranging in scope and geography, including Romanian and Greek landscapes.

We are grateful for the submissions that we receive, and look forward to bringing readers a second year of damselfly press. We are pleased that our journal has been selected as Best of the Web 2008 by Dzanc Books, which is an anthology available at Borders.

Our fifth issue will be available October 15th.

July 12th, 2008

Fourth Issue

AT THE WIND TOWER, ATHENS

Finally they go in contrary directions,
east and west, each breezing
into the life of someone else.

And even then each remembers the same scenes:
the dip from snow into the hot spring,
the hotel room in the blue-olive-tree valley,
the tzatziki and wine under a string of lightbulbs,
the wedding band thrown at him in the parting.

The throwing is in the forgetting,
but the ring, gold with three sapphires,
lies extant somewhere—
in a bureau drawer, a coin cup, deep
in the middens of lives. The abandoned

is safe—like ashes that after the flame
are the deadweight log
liftable on a strong wind.

-Anne Harding Woodworth is the author of two books of poetry and two chapbooks. Another of her books, SPARE PARTS, A Novella in Verse, is due to come out in October, 2008 (Turning Point). Her essays and poetry have been published in journals such as TriQuarterly, Painted Bride Quarterly, Cimarron Review, Antigonish Review, and The Dalhousie Review. Woodworth is a member of the Poetry Board at the Folger Shakespeare Library in Washington, D.C.

Doina
A type of traditional Romanian melody

They load the dead
On rough low trundles at night,
Laden with stones
So that they will not walk again.

The cold skin of dead faces
In moonlight by the rough, dark-powered Danube—
The cart squeaks and thuds, stops,
Throbs over mud as thick as tied sacks.

The fierce blood of language
Is the river’s song this night
While trowels ring on stone
And scrape clogged rivermud.

The tour guide laughs frankly:
Stupid peasants. He is modern,
Taking the road at a trot,
The legends with salt: fearless.

The others are filled with it,
The fear, till their eyes turn white
And their hands come knotty like knuckled wood.
They watch

For any unwanted resurrection
Among the naked limbs
Stacked like ricks of wood.
There has been much death this year,

Even for those used to the carts,
The stains, the riverbank’s unclimbable slip,
The lean bones and blooded tongues.
The ringing of shovel on stone ends.

They tilt the cart downhill.
The harvest god accepts their offer.
Inch by inch the dead sink.
Coveted by the earth.

-Savannah Thorne’s poetry has appeared in journals such as Conclave, The Iowa Rag, The Missouri Review, Potpourri, The Wisconsin Review, Borderlands: Texas Poetry Review, The Lyric, Parabola and The Atlanta Review. Thorne holds a B.A. from the University of Iowa where she studied in the Writers’ Workshop under Jorie Graham, James Galvin, Gerald Stern, and others, as well as a M.A. from DePaul University and a M.S. from Norwich University.

Season in Sussex

That winter I had nothing to do
but study picture window sheep
grazing on the wet downs
or put on boots and slicker
and walk between the green fields
to Lewes over a chalk path
that unwound like ribbon
so high the railway below seemed a toy.

At the High Street when I passed
the house of Anne Boleyn, I drew
my scarf close around my neck,
her short life marked there by a plaque
next to the gray and silent church.

Sometimes I’d stop to read and drink
tea in the crowded shop
by a bridge over the Ouse,
study its metallic surface
and think about Virginia’s last walk
into dark water one afternoon
Leonard was in London.

All that damp and chilled season
I dreamed them under constant clouds
that cast shadows over the sheep,
dreamed we held onto the hills
on thin ropes of rain.

The sheep stood as still as the stones.
Sometimes I didn’t breathe.

-Beth Paulson lives, writes, and teaches workshops in the San Juan Mountains of Western Colorado. Her poems have appeared widely in small magazines and anthologies. Her second collection, The Company of Trees, was published in 2004 and she received a nomination for the 2007 Pushcart Prize.

Lament For My Sister At Harvest

Hungry from a touch of rain, water strains
Against the rocks in the seasonal creek at daybreak;
I return to the orchard, to face the heaviness
Of plums, the pull and the weight. By dawn, by dusk,
I have seen my older sister covet her solitude
And hold her fingers to a stem. She need not stay
Under the trees to spend her life alone.

The pulling up of the body is sufficient
To wound her bones. Those tall branches
Take from the turned soil more than minerals;
Fueled by the flame of fall, fruits drop,
Lie to rot beside her wicker basket.
The dry season holds her downward in a bushel
Of brightness
Under October’s flight of rain.

-Gabrielle Myers has been published in Caesura, Produce, and Art for Autism. Last summer she attended the Squaw Valley Writers’ Workshops. Myers is currently pursuing an MA in English at the University of California, Davis, working on her first manuscript of poems, and cooking in restaurants.

July 12th, 2008

Fourth Issue

Juliet

I met her on a sweltering afternoon in Bombay, on the kind of day your feet boil within your shoes. I asked her if the bus had already gone by, and she told me the story of her life. As I watched her speak, I wondered what kind of person actually spills out her soul to another within the first fifteen minutes of being acquainted. But she talked on and on, because it was, according to her, ‘God’s will’ that she should confide in me.

She was a beautician by profession. Slim, her hair streaked with brown and white, she had hands that were orange and a deep brown, the strongest testimony to her occupation, coming from years of working with henna. She had a couple of hairs on her chin, which I wondered why she didn’t trim, considering her familiarity with the beautification process. She came to Carter road to drop her daughter at a parlour nearby, insisting that she snap out of her adolescent lethargy to get a job and make something of her life.

She told me she’d had to hurry and pack her lunch, eggs and bread, and to make countless sacrifices of clients in order to get her here, for the little fool didn’t know her way around Bombay. I had a vision of a typical Christian Bombay family life, sadly recreated through broken memories and stereotypes: fluttering white curtains at a barred window, pictures of Jesus and Mary on the walls, the aura of a lifestyle that hasn’t changed much for the past few generations. By the time I had tuned in, she was halfway through a detailed introduction to the business of cutting hair. ‘It’s a science’. There are projects to be done (’consisting of four haircuts, two pedicures…’) and then finally one is turned loose to a client and left to find one’s own feet.

Just around now the bus came, and we thankfully scrambled in. Two other buses of the same number came around, causing great confusion. One was 45 minutes late, the other was on time and the third was early. We boarded one of this medley of the past, present and future, whereupon Juliet began to discuss bus routes with me and instructed me as to which would be most convenient for me on my way to Kalina. I listened with half my attention, as I always did when people launched into detailed directions.

My poor sense of geographical orientation is legendary, and by force of habit, I tune out because I know I will get lost nevertheless. I usually nod as though I understand, because people have the annoying habit of not moving on to the next point until I recognize the damn landmark that they have picked out from some remote corner of the world. Like ‘You know what Aliah’s boyfriend did? Arrey, the one who stays near that bridge in Matunga? You don’t know the bridge? It connects Mahim to south Bombay…accha, you know the tea shop near there? Its famous for its filter coffees…” and I spend all that time vaguely echoing the speaker’s expressions (brilliant trick, works every time),wondering what this description has to do with what Aliah’s boyfriend did in the first place.

Having completed her expansive explanation of bus routes, she started on ticket prices. “If you go by the 384, you’ll save, say 50 paise either way, so coming and going…that amounts to four rupees saved a day! You have to look at these things, no…”

When the conductor came around, the same woman who talked of saving 50 paise on each bus trip, and who had known me for less than a quarter of an hour, paid for my ticket and looked mighty offended when I tried to pay her back.
“You are younger; I cannot allow this,’” was all I could get out of her.

Returning my change into my wallet, I wondered what life must be like being a beautician and supporting two young daughters all by yourself. Her husband, named Romeo in some warped game of fate, left her and set up a house in Goa. Since then she had been caring for her girls, one of whom grew up to work in a call centre and refused to support her now.

“They eat my food, but don’t give me anything…If only she had set me up in some parlour today…”

She gave me a crooked smile, which looked suspiciously like a smirk. I smiled back. Like most people who talk a lot (and most people do), she wasn’t paying much attention to what I was doing, so I could relax, provoking a torrent of conversation with a single statement.

As I watched her speak, I wondered how she had managed all these years. Single handedly, with no help to support her daughters. She seemed to see it in my eyes and smiled.

“’I managed. You always do when you have no choice. Going insane is like drowning. I thought I would drown someday. But I kept treading water. I had occasional glimpses of what it was like to be insane, but I kept afloat. I swear I don’t know how.”

Soon it was time for me to go. After sincerely admitting that it was nice to meet her, I got off the bus. Crossing the road, I looked back and found her waving happily at me. An interesting person. I left her behind, thinking that was all I would see of her, and wondering if I was late for college, already putting her out of my mind.

The next day, walking to the bus stop, I saw a familiar figure in a red salwar kameez.

I stopped next to her, saying “Hi aunty,” lapsing into conversation with her again like we’d known each other for years. When the bus came, I tried to con her into buying her ticket. But the moment she saw what I was up to, she took the ticket when I offered her one and smoothly slid a 10 rupee note into my hand before I even knew what she was doing. I sighed and put it into my bag. Some people tend to get very ferocious in these money wars. Best not to mention it further.

Today it seemed she wanted to expound on her theological beliefs. She confessed that she had wanted to take my number the first time she had met me, but I had slipped away.

She said, “God told me that I should do this. The moment you got off the bus yesterday, God told me you were a good girl but the signal had already started.”

God had also told her to talk to me and tell me about her lord. A firm believer, Juliet had the firm conviction that she was in a world of non believers and had resigned herself to it. Taking out a book out of her bag, she handed it to me. A small booklet of 50 pages, it was some kind of brightly coloured religious pamphlet.

“Return it to me if your parents shout at you.’”

I assured her they wouldn’t and she went on.

“The first time my client handed me one, I ignored it. Then sitting in my parlour, I read this and ran to her, telling her to give me all the copies she had. Since then I have been giving these to people. Read this and you will feel blessed. I know I am. They say ‘there is that blessed woman,’ even when they see me walking on the road. My husband deserted me, but I did not give up. You see this, it will do you good. Read this prayer first, and then this one. You will feel the difference.”

She was warming up to the topic. “It explains things in a very clear way. I’ll give you one example. Suppose your mother asks you to make her some tea. The Devil and the Lord are standing outside the door. And you say, ‘Mama, why’re you’re asking me to…’ and grumble about it, then the Devil steps in and your entire day is sure to go badly. On the other hand, if you say to her ” Yes, mother, I will certainly make you some tea,” your day will surely go well.”

I listened. My religious beliefs were nowhere near hers, but it was like a refreshing breeze to have someone talk enthusiastically about their faith. For me God was something personal, a private faith without the interference of religion. There was a direct connection, which could be opened up at will. God was at once a very specific and a very vague concept. For her, I can’t even begin to imagine. Her faith was her whole life. I wondered if one word from me criticizing it would make her give up. But I wasn’t about to try.

I got off the bus again, thinking I would meet her many more times, and that this was just the start of an interesting relationship. Looking forward to meeting her the next day, I reached the bus stop. But she was gone. That night, I sent her the phone number of an art class for her daughter that she had asked for.

I still haven’t heard back from her.

-Tanushree Vachharajani completed her undergraduate studies in English Literature from St. Xavier’s College in Mumbai, India, and is currently pursuing her Master’s in English Literature from Mumbai University. She won second place in an all India short fiction contest, published papers in school and college magazines, participated in Ithaka, the St. Xavier’s theatre festival, and worked as a script writer for Tinkle, a popular Indian children’s magazine. Her most recent work, a short story titled The Sun Bronzed Room, has been in published in Ascent Aspirations, a Canadian based magazine.

July 12th, 2008

Fourth Issue

Failed Secrets

There is no one to whom I can tell this story, Mami. It’s sealed tight, cauterized with thick keloid skin, smooth and impenetrable. So, I tell it, filling in all the blanks, going back to the brief, blessed time when love, trust and safety is the kind embrace of a doting father. But he dies when you are seven, your padre, your saint. And she—beautiful, distracted, who enjoys the company of men more than motherhood—offers no comfort. She remarries quickly.

The potent male likes you, little stick-skinny girl with expressive eyes and vulnerable lips. Was it one of her lovers or a stepfather who violated your core, shattering your belief in love? Did she accuse you of baiting him?

You get skinnier and there’s a campaign initiated to fatten you up; a different type of bean every day, meat run through the grinder, thinner than the air surrounding you. At one point, you are forced to drink fresh calf’s blood to fortify your own, your deep-socketed eyes and jutting cheekbones incriminates them. Then your baby sister’s born colicky, just in time. You can go off to school, and mother doesn’t care that your socks are falling around your ankles and your shoes aren’t brightly polished. She’s just glad you are out of the house so she can put that child down and sleep (you carry the baby every chance you get, soothing her with old songs you remember from Papi; it doesn’t help though it calms you).

You excel in school, higher scores every year; you even win a prize for recitation of a patriot’s nationalist lyric. Some popular girls adopt you, their skinny but almost pretty friend. Many of them plan purposeful lives, university studies. It’s 1943; in Cuba women now can be professionals. You dream of being a doctor; it makes sense. Your grandfather studied medicine (until he was disowned by his family for slumming with la puta negra—dark hussy); your father tried to become a pharmacist. You decide to ask for your patrimony; Grandfather left money, properties.

It goes something like this. One day after school, you approach your mother, who is sitting on the wide front porch in the afternoon breeze.

I want to have my share. I want to go to university, to study medicine.

Did she laugh? Did she pause before she crushed your dream to bits under her stacked heel? Did she turn to her lover and comment on the wastefulness of educating girls?

Was this betrayal worse than the first?

You decide to get away; it takes some doing—girls don’t leave the house unless they’re married. But by then another baby sister and your oldest sister’s children crowd the house. Nineteen, unmarried, you go to live with the eccentric maiden aunt. After all, everyone expects you to follow suit. You work in your father’s family’s pharmacy, mixing tonics, giving injections. You are in heaven all day, until evening when you return to a bare room, bed bug-ridden mattress, peephole reopened every night by the neighbor pervert. In a nightmare, you see yourself tubercular, like your aunt coughing in the next room, living in squalor even while there is means to avoid it, you almost understand the pride and think you can learn to embrace it but in the morning you awake to blood-covered sheets and oozing scabs all over.

You decide to get away again, this time to leave completely. The first leaving was easy, just across the city and without scandal. This time you take a plane to live with a school chum who’s gone to el norte. She lives in a boarding house run by a Spanish matron who has seven sons who need wives, willing to marry them off to Cuban sluts since they are neither handsome nor skilled. You are 22, undereducated but not ignorant, single, speak no English, and have never been anywhere outside of Havana but your passport is a door you intend to step through. The plane lands in Miami; you board a bus to New Jersey and hope Elsa will be there when you arrive. She is and you are finally safe in this new life.

This fight might be difficult at times, your tongue thickens at every attempt in the new brutish language, but it is easier than being back on the island. You get by by taking shitty jobs in factories surrounded by unintelligible Polish and Italian ladies sewing dainties for years, but every night you can go to the movies and listen over and over to the dialogue, deciphering the romance of America. And every night you can go to your own apartment, not a home but your own room, sleep in a clean bed with clean sheets. No peeping toms and no immediate danger.

You order your own life without regard to what others think—those others are left far behind, across the ocean. No one sees what you do or don’t do. If you take English classes at night, go to church everyday, no one will ridicule you. You are expert at economizing, save all your pennies but things are difficult in Cuba and you start to send money, generously acknowledged by your sisters. You feel guilty, not knowing exactly why, but you learn to accept your independence. You learn to be proud of your strength built on such a scrawny frame that shakes sometimes, knocking your no-longer skinny knees together.

You didn’t have to tell me your secrets, you see. They betrayed themselves over the years anyway. But tell me, Mami, what did I miss?

-Cecilia Rodríguez Milanés was born in New Jersey to Cuban parents, and educated in Miami and in New York. These facts contribute in large part to the themes she treats as well as the language she uses. She enjoys writing fiction, creative non-fiction and poetry. Marielitos, Balseros and Other Exiles, a collection of short stories, will be published by Ig Publishers in May 2009.

June 15th, 2008

Submission Period Closed for Fourth Issue

The submission period for the fourth issue of damselfly press has closed. Look for the issue on July 15th.

If you would still like to submit, your submission will be considered for the fifth issue.

Thank you to all of our submitters.

April 14th, 2008

Publication of Third Issue and Call for Submissions

The third issue of damselfly press centers around peregrinations from our themed submission call. Our authors journey through both internal and external surroundings while developing relationships and finding meaning. These writers encourage us to look deeper into ourselves and explore what lies within. We invite you to dig into this issue with an open heart and mind.

We are pleased to announce that our readership is geographically expanding. We’ve received work not only from across the country, but from all over the globe: England, India, Haiti. We welcome you to join our journey.

Look for fiction in our fourth issue, which will be available July 15th.

April 14th, 2008

Third Issue

Isabelle in Sienna

Stomping on thick short legs up cobblestones as large as your feet,
glued to my hand with gelato, you bellow the Sesame Street theme

song—Sunny day, chasing the clouds away! On my way to where the air
is sweet! Isabelle. Ah, Isabella! Bella! Bella!
say the museum guards who gather

around you—young women, old men, fellow citizens of the small world we
wander, just another queer American family

with nothing to conquer but fear. Grazie, you reply, at my prompt, as they bend
to return the blankie—your best friend, making new friends—

that you have dropped while playing I Spy with me, looking up at the art,
a painting of that woman and baby (everywhere), the animals friendly in the dark

edges. It’s his birthday, I explain, grimed with Tuscan dust, gelato, sweat
and the stress of travel—Mommy, Mom and toddlers—so obviously out

in the world. Tilting your head back, you sing, Happy Birthday to you, screaming into the silence, your brother joining in, and the Italians smile at our scene

as we shush, meeting kind eyes. And then we too are smiling. Now, blankie dragging the cobblestones, you tromp on thick short legs, blond ringlets bouncing, batting

your lashes at admiring nonas and bambinos on bicycles. At three, it’s simply
Sesame Street in Sienna, hills up both ways, all ways, and so hot, such a sunny

day; at three, this is your neighborhood too, no muppets but Italians and castles and narrow
twisting streets and Madonnas and babies and all of us

together with blankie and gelato, and you’re chasing clouds away on your way to where the air is
sweet. Isabelle, ah bella, bellisima bambina, this day

you show me how to live in this large world on top of my lungs.

-T. Stores’ third novel, Backslide, is due from Spinster’s Ink in July. Her poems, stories and essays have been published in Sinister Wisdom, Rock & Sling, Cicada, Out Magazine, Bloom, Earth’s Daughters, Blueline, SawPalm, and Kudzu, among others. Her honors include grants from the Vermont Arts Council and the Barbara Deming Fund, a Bread Loaf residency and a scholarship to The Community of Writers at Squaw Valley. Stores is an associate professor at the University of Hartford.

The bus from Strasbourg

Near dawn the lines between things are softer:
fence, trees, town no taller than a steeple. You remember
the newscaster’s voice while you dressed in the dark—
mass death averted, chaos at Heathrow.
Again the feeling of a trapdoor
knocked out beneath you.

You are young. Was it only last year you believed
you could float, just a little, if you knew
how to ask the air?
Every day the world grows more alien.

Here, the window glass, cool against your cheek,
electric towers rising from a cornfield
like steel angels. Your body
last week, in a room with curtains for walls,
the doctor saying it could be cancer.
We’ll analyze the cells. We’ll let you know.
The body the one thing you imagined was safe.

You came from the hospital then,
windows brightening the street.
The rush of men and women, shapes
you fell into, like looking up
when the sky has opened to snow.

Outside Frankfurt, your bus slows.
Factories in the distance are smoldering
castles: smoke and brick and flame.
As a child you dreamed of holes that opened
wherever you went—the park, gravel walk, front porch.
Your mother’s lap. Holes as far as you could run.
You would wake then, listen for a sound.

-Claire McQuerry teaches writing at Arizona State University. Her poems have recently appeared in Harpur Palate, Comstock Review, West Wind Review, and Relief.

Odessa, Odessos

In the car my father turns and asks, “Do you know
what city I was born in?” I hate these questions.
Odessa. He knows I know. Answering, deadpan
to the windshield, the edges still curl in anger.

The coin he bought is from the ancient Greek city
that thrived in the same place. “Odessos,” he says.
I am filled with a slow, heavy sadness,
and I wish the air was something other than our silence.

We drive into the cemetery and walk through the snow
to his mother’s grave. The snow is covered
with a thick layer of ice, and if I step lightly enough,
I can slide across without breaking it. My father falls through.

The sound from beneath our feet is the only one we hear.
“This place brings you back to earth,” he whispers to me.
He slips two smooth rocks into my hand. Their warmth
is eerie and fluid in my hand, stiffened with cold.

The engraving is written in both English and Cyrillic,
and the coin is for his mother as much as his collection.
The frozen branches shine with frost.
In the wind, they make no sound.

He brushes away dried pollen from invisible blooms
and finds a spot to place his stones. They are pink,
and veined with blue, just bigger than pebbles. He has
had these in a little dish on his dresser for months.

Somehow, we knew not to ask what he was saving
them for. Back in the car, my hands are empty.
My father takes the handkerchief that had held the stones
in his pocket, and lifts it to his face.

-Rachel Malis is an MFA candidate at Arizona State University and recipient of the Virginia G. Piper Fellowship. She graduated from George Washington University, where she was awarded the Academy of American Poets Junior Prize for 2007. In Washington, DC, Rachel was a Lannan Scholar at the Folger Shakespeare Library.

Driving from Sorsogon to Magallanes

beneath a sky thatched with palm and vine and heat,
we hit a boy who darted across a road – a thump
of arms and legs dark and scraped like husk, a sinew
of mosquito bites and mornings in coconut trees, not enough
years to know better. My husband’s father didn’t wait
for the van to stop before thrusting open the door, charging
into the dust. The boy’s father met him halfway, after smacking
his son across the back of his head like a fruit fly. It was the boy’s
fault,
father said to father and back again, in a language I needed
someone to translate, a language that sounds like the juice
of a ripe kalamansi dripping down my husband’s chin,
a tangy bite of tongue and throat. Man to man, more words
and dirt and spit, then somehow we are on our way again, leaving
behind the heat and the boy in a punishing swallow of jungle
and an angry tin of huts. My husband rubs my wrist in the seat
between us and I realize that here, a land forever trespassed by tsunamis
and seafarers commissioned for the take, a boy must watch
where he is going or he won’t live long. I hold my breath and listen
to my husband’s father, still reprimanding the boy and the other father,
this time in English, his words sharp and skinned so I understand.

-Michelle Lee is a PhD student of English Literature at the University of Texas - Austin, who is, at different times, a poet, playwright, and fiction writer. Her work has appeared in a variety of journals including Diner, Farfelu, and 580Split. Recently, she was honored by StoryQuarterly as a Finalist in their 2007 Fiction Contest. Currently, she is the Assistant Director of the Masters Program in Creative Writing at UT.

Past Knowing

The way the spoons stay in the drawer, face down, obedient.

The way the house groans in a storm, train, mare foaling,
old odd limbed thing struggling water up a hill.

The way the clock on the wall shifts in flight, splitting
dead wood, breaking brush.

The way the attic harbors the chipped lamb, sealed
bag of straw, wise man whose arm’s hairline fracture
was once healed with a whisper of glue.

The way the brittle crescent on the corner bathroom tile
evades the broom.

The way frames rim yellow icing flowers and held aloft
strands of fish caught by maggots kept warm in the mouth.

The way a woman stands in an empty room and thinks
of her life, for the first time, in sum. Light pooling
inside her like a fist.

-Jenn Blair is a PhD candidate in Creative Writing and English at the University of Georgia. She has published in Copper Nickel, Melus, Stone Table Review, Panamowa, and Stirring.

April 14th, 2008

Third Issue

The Breathing Place

We’re stuck. Again. In the Kalahari Desert. No one wants to get out and push after the incident with the hitchhiking snake the other day, especially as the sun slides into the sand and the first bats of the night flit across the beam from our one remaining headlight.

“Shit!” Paul says as he rips off his wide-brimmed leather hat, rakes his fingers through his grimy curls, then plops the hat back on.

The Bitch, our topless former military Land Rover, whines in her lowest of eight gears. Moyo, Paul’s assistant, hops out to see how deep we’re buried.

“Not good, Paul,” he calls out.

Paul, our brawny guide, is cranky. Maybe he stayed up too late drinking with his buddy last night in Ghanzi, where we stopped to re-provision. Or maybe he’s tired of us—six Alaskans who’ve been under his skin for the past 12 days.

Shivering, I slip on my fleece shirt as the Kalahari begins its nightly slide from sizzling to freezing. We are headed to the sacred ground of Tsodillo Hills in northern Botswana, where the Bushmen believe all life began and the spirits of the dead return. There, on cliffs and in crevices, the ancestors painted stories whose meanings have been lost. According to ancient protocol visitors must approach the Hills with respect and reverence for the ancestors and shed no animal blood. So far, we’ve encountered no other travelers on the way to this U.N. World Heritage Site.

Paul jumps out and circles the truck.

“Shit,” he repeats, sliding back into his seat.

“Everyone out but you.” He jams his thumb back toward me.

Lacking the coordination to leap back onto a moving vehicle, I don’t have to push. A few months ago, a strange virus attacked my inner ear and wiped out my balance. Since then, after months of physical therapy, I still walk like a drunk.

The Bitch is self-contained and fully loaded: fuel and water strapped to her belly, boxes of wine beneath our seats, food in the rear, sleeping bags, tents, and the rest of our personal gear in a trailer we’re towing behind us.

“Ok, dig out the wheels, and everyone line up in the back to push.”

Moyo digs with our toilet shovel as the others scoop sand with their hands and feet. While digging ourselves out of another sand bog a few days ago, a snake slithered up the wheel well. Moyo yelled, “snake,” and we scattered like cockroaches. Paul, who had already earned our respect as a naturalist, elevated his status a few more notches by coaxing the puff adder onto a stick and gently placing it back into the brush.

“That’s good. Now let’s try to budge her.” Paul orders.

The engine coughs a low groan and the truck moves a few inches then halts with a whine.

“Ok,” Paul yells. “Unhook the trailer. We’re too heavy.”

He crawls out and I follow him. The smooth sand, still bearing the sun’s warmth, caresses my toes. Paul drops the trailer jack onto a stump, then the men wiggle the ball loose from the tongue.

Back in the driver’s seat, Paul yells, “Ready?” Colleen, Maureen, Eric and Stratto take their positions at the Bitch’s flanks. Jim and Moyo each position themselves beside a front wheel. I stand back, beside the trailer. Paul revs the engine amidst a chorus of grunts. The Land Rover inches forward as Paul gives it more gas. She creeps. Sand flies as the vehicle picks up speed.

“Jump!” Paul yells.

One by one the dark shapes of my companions haul themselves onto the back bumper or side running boards of the bouncing Bitch. Her red winking taillights grow smaller and smaller until they finally pause in the distance.

Alone, I think what if they don’t come back? For the second time on the trip I imagine how I’d make some lion an easy, but bony meal. On our first morning in the Kalahari, while camped above Sunday Pan, I ventured into the bush, shovel in hand, to find a safe place to relieve myself. It took me awhile to locate the appropriate tree without thorns and check for snakes and scorpions. Then, heading back to camp everything looked the same—flat, sandy, with scrubby thorn bushes, not the familiar textured landscape of lakes, mountains, and tundra at home. My own tracks had disappeared as had the dry lake bed we overlooked at camp. The wind stole my yells and whistles as I hoisted myself into a tree to gain perspective, slicing my hands and face in the scramble against its upturned thorns. No sign of camp. Then, between gusts of wind a faint whistle drifted by, then louder. I saw a flash of white, and at the crest of a small rise, I spotted my husband Jim. Yelling and waving I shook myself out of the tree. Grabbing his arm and embracing him, I slobbered on his neck with tears of gratitude for being rescued, 20 years of marital grievances dissolved in an instant.

Jackal barks punctuate the low hum of night insects. Human voices rise and fall in the wind and draw closer. Footsteps scuff in the sand, and like a hyena, I rush to greet the returning pack. Paul kicks down the jack as we position ourselves around the overloaded trailer and begin the long shove back to the Land Rover.

Sweet mopane smoke drifts before the orange dots of the village fires come into view. Without clouds or moon, the stars shimmer across a bottomless black ocean. Paul downshifts as we pass livestock kraals and people silhouetted against firelight. How long had it been since visitors passed this way? According to our guidebook, these people newcomers to the area, a tribe that moved down from the north. The Bushman, the fist people of this land, have mostly moved on, forced out by dwindling resources and competition from newer settlers.

The narrow ruts we have been following give way to a tangle of vehicle tracks spreading out chaotically. Paul pauses, yanks on the emergency brake, opens his door, and steps onto the running board for a better look. Unsure of which way to go, he cuts the engine, climbs down, and walks beyond the range of the Bitch’s good eye.

A hot wind swirls the sand, blowing it into our faces. In a brief pause between gusts we hear the breathing: long throaty rasps, like a choir of asthmatics desperately sucking air in, grudgingly letting it out again.

“What is that?” Maureen asks as we scan the shadows.

“What the hell is that?” Eric echoes.

“Screech owls,” Paul calls back as he slides back behind the wheel. “They nest in the hills.”

But these breaths are not the sound of earthly owls.

Against the starlight lies the dark outline of uneven ridge. We’ve reached the first hill. Should we make an offering, say a prayer, stop and prepare ourselves? But what would we do? Paul seems in no mood for spiritual reckoning, so we carry on.

No signs mark this World Heritage site, just a sandy turn-around and a few clearings beneath the thick twisted limbs of old acacia trees. We pitch our canvas tents while Moyo builds a roaring fire. Stumbling by the light of our headlamps, we set up our portable camp table and begin preparing dinner. Colleen, Maureen, and I help Paul slice butternut squash and onions to place with the chicken in the immense cast iron pot. Stratto pops open the South African wine and fills our stained cups. With a few sips, my muscles begin to uncoil and my stomach grumbles. We have food, wine, a warm fire, a place to sleep, we are together. Paul jokes again, all is well.

The trip has been too fast, too much, and too many experiences bunched together. I long for a time to pause, write in my journal, sit still.

After dinner, I leave the warmth of the campfire and my companions and head for my tent. Stacking my smoky layers of clothing beside me, and sliding into my sleeping bag, my toes scrape against grit at the bottom. Fine, suspended sand whirls in the harsh white beam of my headlamp. Clicking off my headlamp and scratching my scalp, tiny pebbles lodge in my fingernails. Windblown sand filters through the mesh roof vent and drifts into my mouth.

Later, I awake sweating to a gust of wind that threatens to rip the tent from its tethers. Metal objects clang—pots and pans rolling in the wind, while trees click and moan. Will the force of the wind topple the tree above our tent and kill us? Is it just the wind or is the whole place trying to rid itself of us?

Then the air shifts, flashes orange, and crackles. Sparks flash across the roof vent above me.

“Fire!” I yell to the wind, yanking the zipper of the tent door and jumping outside in my bare feet.

Outside, our campfire has stolen new life from the wind, gobbling up our abandoned campstools and wood stashed for the breakfast fire. Now it licks at the leafless trees above it.

An imagined headline rushes through my head: Ashes of tourists found at the foot of sacred African hills! Then my mind shouts: Put it out! But with what? Can’t use the water. Doesn’t anyone else know? At that moment, Eric appears in his boxers wielding our folding toilet shovel.

“I smelled smoke,” he yells, heaping dirt on the flames.

Kicking sand on the flames with bare feet is too slow and dangerous, so I search for some sort of scoop, Beside the overturned table our long-handled metal cooking spoon lies in the dirt. Grabbing it, I join Eric in flinging sand upon the flames like dogs digging a hole. Then, as the dust mingles with the last puff of smoke, we stop and face each other. Sweat trickles down my belly and I realize I’m standing in my tee shirt and panties facing Eric, the person I know and like least in our group.

“Well, I guess we did it,” Eric says.

“Yeah. What about the others?”

“Too much wine.”

I nod. “Thanks, Eric.”

“Yeah. Good thing we woke up.”

“Right.” I set the filthy spoon against the table and turn toward my tent. I glance back at Eric. Smiling and waving, he looks different—boy-like and gentle.

In the cool dawn of the next morning our camp is nestled against the thigh of the Male Hill. The table sits upright with pots and pans stacked neatly on top and thick black coffee steaming in the French press. Grabbing my upside down metal cup on the table I wipe out grit with my shirt and fill it with coffee. Was last night a dream? Moyo, stirring the fire, smiles and points to the charred skeleton of a camp stool.

“Fire,” he says.

Slowly, the others empty their tents one by one, muttering in dull, hung-over tones. Over breakfast Eric and I tell our story. No one thanks us for appeasing the ancestors last night.

Above us, the men’s voices tumble down the rocks as the women climb the Male Hill together. Colleen leads, with me in the middle and Maureen close behind in case I fall or freeze in place. A normal reasonably fit person would scramble up these vibrantly striated boulders in not time. Unsure of my connection to the earth, I crawl up the surface, planting each sweaty palm and each shaky footstep with care. Determined to reach the top to see the landscape we have traveled for so many days, this is a test I must pass to prove I can recover my balance. Out on the exposed rock, the sun bakes my back and sweat drips down from beneath my hat band and into my eyes. A few breaths from freezing in place, I cannot stop thinking about falling.

Finally, relinquishing my pride, I beg, “Maureen, could you spot me here?”

“Sure.”

Maureen perches below me as I inch up the hill. Soon we reach a clump of acacia brush offering firm but prickly handholds near the top of the hill.

“Thanks for helping me,” I gasp as I feel the whisper of a breeze cooling my face.

“No problem,” Maureen replies.

Air rushes over the top of the hill, cooling the insect bites on my legs, raising bumps on my arms, causing me to shiver, from the breeze, from the effort, from the exhilaration of reaching the top. The sky, brushed with faint wisps of white, stretches out to meet the flat red plains below. Clumps of dusty green bushes scatter an utterly flat earth as far as our eyes can see. Behind us, out of sight, like the Female Hill, the Child, and the lonely first wife.

Now, we follow a path through a gap in the Female Hill, scrambling over rocks, descending to the sandy floor of a narrow valley, sprigs of lush green brushing against our calves, air thick with the scent of wet earth. Deeper into the valley, the walls open, the sky expands, and we reach a murky pool at the bottom of a wide, muddy depression undulating with hundreds of butterflies—turquoise, gold, white, brown—and wasps with iridescent green wings. Giggles pop out of our mouths, as Maureen whispers a long “ooohhh.” Jim clicks his shutter and a flicker of multi-colored wings erupts like a toss of confetti, then scatters around us, falling back to the earth to settle once more into a collective slurp of the damp ground. Each click of Jim’s camera renews the winged dance of the dizzying life swirling around us. Suddenly, a flock of quelea, tiny brown birds that fly as one like a school of fish, circle us, like a twittering cloud of dust, then vanish behind the rocks.

Paul motions us closer to him, stoops to the mud, and whispers the names of animals that have left their tracks near the dark water. As we band around him, faint murmurings of other voices spill from the rocks, crescendoing into two young men in shorts and broad-brimmed hats coming our way. The fluttering display repeats as they halt their steps in silence. Paul stands up, nods to the newcomers and leads off back to camp, leaving them to marvel at the stirring of so much life. Walking beside Jim, I list a bit to the left, correcting, steering straight, straying, correcting, and finally easing into a slow, lop-sided rhythm, soles of my feet thumping against the damp earth.

-Susan Pope, a lifelong Alaskan, explores wild places ranging from the woods behind her house, to the Arctic National Wildlife Refuge, the Kalahari Desert, and the dunes of Namibia.  She has published essays in Pilgrimage, Alaska Woman Magazine, and the upcoming anthology Crosscurrents North: Alaskans on the Environment.

March 16th, 2008

Submission Period Closed for Third Issue

The submission period for the third issue of damselfly press has closed. Look for the issue on April 15th.

If you would still like to submit, your submission will be considered for the fourth issue.

Thank you to all of our submitters.

February 6th, 2008

damselfly press in Luna Park Review

Check out the damselfly press article in Luna Park Review!

The website is: http://www.lunaparkreview.com/Damselfly.htm